L’incoronazione di Poppea, Claudio Monteverdis epochales »Drama in musica«, offenbart, in welche Richtung sich die Oper entwickeln sollte. William Christie zeigt, was aufgeklärte Aufführungspraxis zu leisten vermag. Jan Lauwers inszeniert das Stück als Ballettoper, wobei man das Wort »Ballett« in Anführungsstriche setzen kann.… Weiterlesen »Salzburger Festspiele: Im Drehschwindel von Macht und Liebe
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